Friday, February 8, 2008

In Theatres This Week 8th February

Fool's Gold
Copyright © 2008 Warner Bros Pictures

Part romantic comedy, part action adventure, "Fool's Gold" stars Matthew McConaughey and Kate Hudson, who had previously teamed on the romantic comedy hit "How to Lose a Guy in 10 Days."

Ben "Finn" Finnegan (Matthew McConaughey) is a good-natured, surf bum-turned-treasure hunter who is obsessed with finding the legendary 18th century Queen's Dowry-40 chests of exotic treasure that was lost at sea in 1715. In his quest, Finn has sunk everything he has, including his marriage to Tess Finnegan (Kate Hudson) and his more-rusty-than-trusty salvage boat, "Booty Calls." Just as Tess has begun to rebuild her life, working aboard a mega-yacht owned by billionaire Nigel Honeycutt (Donald Sutherland), Finn discovers a vital clue to the treasure's whereabouts. Certain that his luck will change with the newfound information, Finn maneuvers himself aboard Nigel's yacht and, using his good-natured charm, convinces the tycoon and his Blackberry-wielding, celebutante daughter, Gemma (Alexis Dziena), to join him in the pursuit of the Spanish treasure. Against Tess' better judgment, the search rekindles her love...of discovery. But they are not the only ones after the treasure. Finn's mentor-turned-nemesis Moe Fitch (Ray Winstone) has also set out to claim the prize.

Let the treasure hunt begin...

"Fool's Gold" also stars veteran actor Donald Sutherland ("Pride and Prejudice"), Ewen Bremner ("Match Point"), Alexis Dziena ("Broken Flowers"), Kevin Hart ("Epic Movie") and Ray Winstone ("The Departed").
February 8th, 2008
Andy Tennant
John Claflin, Daniel Zelman, Andy Tennant
Matthew McConaughey, Kate Hudson, Donald Sutherland, Ewen Bremner, Alexis Dziena, Kevin Hart, Ray Winstone
Warner Bros. Pictures
Action, Adventure, Comedy, Romance
FoolsGoldMovie.com
PG-13 for action violence, some sexual material, brief nudity and language
113 minutes


The Hottie & The Nottie
Copyright © 2008 Regent Releasing


Nate Cooper (Joel David Moore) has been smitten with Cristabel Abbott (Paris Hilton) since he first laid eyes on her at the impressionable age of six. But before he could try and snuggle up to her at nap time, or maybe send her a valentine, his family moved away. In the intervening years there have been other women in Nate's life, but none who could measure up to Cristabel. Convinced she's the only girl for him, Nate decides to move back to L.A. and track her down.

The good news: she's still single and stunning. The bad news: there's a reason she's still single. Cristabel's still best friends with the same ugly little girl Nate remembers from first grade, June Phigg (Christine Lakin). The two are inseparable. They live together. They go to yoga together. They would even go on double dates together...if only June could get a date. And Cristabel simply refuses to leave dear June home alone.

Determined to spend as much time as possible with Cristabel, Nate sets out to find a boyfriend for June. But even when he pays them, guys all flee at the sight of her. And then it hits him: June needs a makeover. But as Nate and June become friends and she emerges from her cocoon, Nate slowly realizes that the girl of his dreams isn't the hottie at all. It's the nottie -- who turns out to be something of a hottie herself.
February 8th, 2008
Tom Putnam
Heidi Ferrer
Paris Hilton, Joel Moore, Christine Lakin, Adam Kulbersh
Regent Releasing
Comedy, Romance
thehottieandthenottie.com
PG-13 for crude and sexual content
90 minutes


Welcome Home Roscoe Jenkins
Copyright © 2008 Universal Pictures




Martin Lawrence stars as talk-show sensation Dr. RJ Stevens, who has shirked his simple Southern past and the awkward boy he used to be to dispense "you can do it" advice to millions of adoring fans. With a reality-series star on his arm and loads of cash in his pocket, there's nothing he feels he hasn't achieved.

When his parents request that he come home for their 50th wedding anniversary, RJ packs up his 10-year-old son and spoiled princess of a fiancée and heads back to his sleepy, Southern hometown. Ready to impress his down home kin with how much he's changed, RJ will prove he's not the walking disaster they used to pick on. At least, that's the plan...

But as his crazy, lovable family reminds RJ of the kid he once was and the big-ego'd adult he has become, this superstar will take a hard look at the life he is living. Roscoe Junior might've felt teased, second best and laughed at as a child, but the love from home could be turning Dr. RJ into The Better Man.
February 8th, 2008
Malcolm D. Lee
Malcolm D. Lee
Martin Lawrence, Margaret Avery, Joy Bryant, Michael Clarke Duncan, Mike Epps, Mo'Nique, Nicole Ari Parker, Cedric the Entertainer, James Earl Jones
Universal Pictures
Comedy
roscoejenkins.com
PG-13 for crude and sexual content, language and some drug references


In Brudges
Copyright © 2008 Focus Features

Mr. McDonagh makes his feature directorial debut on the film, from his own original screenplay. His plays (which include The Lieutenant of Inishmore and The Pillowman) have brought him two Olivier Awards and four Tony Award nominations. He wrote and directed Six Shooter, starring Brendan Gleeson, which earned him the 2006 Academy Award for Best Live-Action Short Film.

In Bruges was filmed on location; Bruges (pronounced "broozh"), the most well-preserved medieval city in the whole of Belgium, is a welcoming destination for travellers from all over the world. But for hit men Ray (Colin Farrell) and Ken (Brendan Gleeson), it could be their final destination; a difficult job has resulted in the pair being ordered right before Christmas by their London boss Harry (two-time Academy Award nominee Ralph Fiennes) to go and cool their heels in the storybook Flemish city for a couple of weeks.

Very much out of place amidst the gothic architecture, canals, and cobbled streets, the two hit men fill their days living the lives of tourists. Ray, still haunted by the bloodshed in London, hates the place, while Ken, even as he keeps a fatherly eye on Ray's often profanely funny exploits, finds his mind and soul being expanded by the beauty and serenity of the city.

But the longer they stay waiting for Harry's call, the more surreal their experience becomes, as they find themselves in weird encounters with locals, tourists, violent medieval art, a dwarf American actor (Jordan Prentice) shooting a European art film, Dutch prostitutes, and a potential romance for Ray in the form of Chloë (Clémence Poésy), who may have some dark secrets of her own.

And when the call from Harry does finally come, Ken and Ray's vacation becomes a life-and-death struggle of darkly comic proportions and surprisingly emotional consequences.
February 8th, 2008
(Limited: Select cities)
Martin McDonagh
Martin McDonagh
Colin Farrell, Brendan Gleeson, Clemence Posey, Ralph Fiennes
Focus Features
Action, Comedy
filminfocus.com
R for strong bloody violence, pervasive language and some drug use
107 minutes

Monday, February 4, 2008

Weekend Box Office (February 1 - 3, 2008)

Girl Power Rules Box Office

THIS WEEKEND Tween girls sacked the competition over Super Bowl weekend as the music pic Hannah Montana & Miley Cyrus: Best of Both Worlds Concert shattered records and opened at number one at the North American box office. Debuting in second with solid results of its own was the Jessica Alba creepfest The Eye, but the comedies Over Her Dead Body and Strange Wilderness debuted outside of the top ten with more modest results. Overall, the marketplace stayed strong with the top ten beating year-ago levels by more than 30% for the third consecutive weekend.

Shooting higher than the loftiest of expectations, Disney's Hannah Montana film commanded an estimated $29M in ticket sales this weekend from only 683 theaters for an eye-popping $42,460 average setting a new record for the Super Bowl frame. Presented in digital 3D cinemas, with 96% of the sites featuring RealD technology, the grosses were boosted by most exhibitors charging $15 per ticket instead of the usual admission charges. Still, the G-rated film more than doubled its nearest competitor and sold out over a thousand showtimes during the weekend. The release was not as wide as other films since Disney was limited to only those auditoriums equipped with the necessary facilities to project in digital 3D.

Hannah Montana set a number of new box office milestones although asterisks will need to be added to the record books since it had the advantage of the higher-priced tickets. It was the largest opening ever over Super Bowl weekend beating the $21.6M of 2006's horror entry When a Stranger Calls, and the largest overall weekend gross over this frame surpassing Titanic which banked $25.2M in 1998 in its sixth weekend. The gross for the iceberg romance would be over $36M at today's regular prices. Hannah also set the record for the smallest amount of theaters for a film debuting at number one.

Best of Both Worlds offered fans many reasons to rush out and grab a seat. Given the star's 69-city sold-out concert tour, the film allowed Hannah lovers an easier way to see their favorite singer locally without having to get parents to buy scalped tickets. Add in the digital 3D presentation and the promotion of an exclusive one-week-only run and ticket buyers wasted no time in making sure they got their stubs and showed up. An event film was born. Due to the incredible demand, the studio has now announced that the film will be open-ended and will play beyond the initial seven-day run.

Sales were exceptional right out of the gate with Friday delivering a stunning $8.6M in business. Saturday saw incredible strength with matinee business from kids going on their parents' first day off from work with sales surging an amazing 52% to $13.1M. The studio has estimated that Sunday's grosses will drop by 45% to $7.3M. Most studios are estimating larger-than-normal declines of 60-65% on Sunday for their films because of the Super Bowl, however Hannah Montana's young female audience is least likely to care about the big game so its drop should be lighter.

Studio research indicated few surprises in the audience turnout. Females made up a whopping 84% of the crowd and those under the age of 25 accounted for 70%. Reviews were generally upbeat for the trim 74-minute concert film which allowed theaters to schedule plenty of showtimes over the weekend to absorb demand.

Hollywood's annual Super Bowl weekend horror offering had to settle for the runnerup prize. The Eye, a remake of a Hong Kong horror hit with Jessica Alba anchoring the U.S. version, bowed to an estimated $13M from 2,436 locations for a solid $5,357 average. The PG-13 pic about a blind violinist who gains supernatural visions of death after an eye transplant played slightly more to young women as the audience was 56% female, according to studio research. Lionsgate grossed $4.9M on Friday, edged up 16% to $5.7M on Saturday, and estimated a 58% drop on Sunday to $2.4M. The Eye debuted with more than twice as much as Alba's last thriller Awake ($5.9M) and was in line with the $13.7M launch of her recent romantic comedy Good Luck Chuck.

Fox's 27 Dresses held steady in third place and played as a great non-football alternative for women by grossing an estimated $8.4M in its third weekend. Katherine Heigl's hit comedy dipped by just 37%. Cume for Dresses now sits at $57.1M. Another funny gal from the Fox stable, Oscar nominee and Entertainment Weekly covergirl Ellen Page, rose three notches to fourth with Juno which collected an estimated $7.5M, off only 27%, for a robust $110.3M total.

The studio's spoof comedy Meet the Spartans tumbled by 62% in its second session and placed fifth with an estimated $7.1M. Budgeted at $18M, the PG-13 laugher has taken in $28.3M in ten days and should conclude with $40-45M putting it in the same neighborhood as the creative team's Epic Movie which grossed $39.7M at this same exact time last year. Close behind was Sylvester Stallone's action pic Rambo with an estimated $7M falling an identical 62% from its debut. Lionsgate has taken in $29.8M in ten days and may finish with close to $45M.

Taking in an estimated $6.9M was the Jack Nicholson-Morgan Freeman joint venture The Bucket List which slipped 35% pushing the cume to $67.7M for Warner Bros. Diane Lane's crime thriller Untraceable suffered a sizable sophomore slump falling 52% to an estimated $5.4M for a sum of $19.5M after ten days. Produced for over $30M, the R-rated pic is set to end with a mediocre $30-35M.

Cloverfield crumbled another 62% in its third weekend to an estimated $4.9M. Paramount has made $72M to date. The studio's specialty division Paramount Vantage expanded its Academy Award contender There Will Be Blood from 885 to 1,507 theaters and rounded out the top ten with an estimated $4.8M. Off a scant 2%, the Daniel Day-Lewis drama upped its total to $21.1M.

A pair of new comedies opened to disappointing results outside of the top ten. Eva Longoria Parker headlined the pic Over Her Dead Body and bowed to an estimated $3.6M from 1,977 sites for a weak $1,821 average. The New Line release about a ghost who haunts her fiance's new squeeze marked the first headlining role in a feature film for the Desperate Housewives star. Paramount Classics countered with the nature flick Strange Wilderness starring Steve Zahn which debuted to just $3.1M, according to estimates. The R-rated title averaged only $2,525 from 1,208 locations. Both films were trashed by critics, to nobody's surprise.

Two other films dropped out of the top ten this weekend. The Nicolas Cage blockbuster sequel National Treasure: Book of Secrets took in an estimated $3.1M, off 38%, for a $209.9M cume after its seventh session. The adventure saga ranks as the ninth biggest hit released in 2007 and will surpass 300's $210.6M by the end of the week to climb one more spot. Look for Book of Secrets to conclude with $215-218M domestically representing a 25% increase over the first National Treasure's $173M from 2004. Worldwide, Secrets has already hauled in over $375M to date.

Not collecting as much treasure was the heist comedy Mad Money which fell 56% to an estimated $2M in its third weekend. With $18.6M in 17 days, the Overture Films release should finish with roughly $22M.

# Title Feb 1 - 3

Theaters Weeks
Cumulative Distributor










1 Hannah Montana & Miley Cyrus $ 29,000,000

683 1
$ 29,000,000 Buena Vista
2 The Eye 13,050,000

2,436 1
13,050,000 Lionsgate
3 27 Dresses 8,400,000

2,976 3
57,115,000 Fox
4 Juno 7,450,000

2,475 9
110,263,000 Fox Searchlight
5 Meet the Spartans 7,125,000

2,643 2
28,332,000 Fox
6 Rambo 7,007,000

2,764 2
29,805,000 Lionsgate
7 The Bucket List 6,850,000

2,915 6
67,671,000 Warner Bros.
8 Untraceable 5,400,000

2,368 2
19,451,000 Sony
9 Cloverfield 4,900,000

3,007 3
71,974,000 Paramount
10 There Will Be Blood 4,761,000

1,507 6
21,146,000 Par. Vantage

Wishing All Our Customers 'Gong Xi Fa Chai & A Happy Prosperous Chinese New Year.
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5th Feb.2008 9.00a.m ~ 11.30p.m
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Blu-ray New Release Feb 5

The Brave One (Blu-ray)

Warner Home Video / 2007 / 122 Minutes / Rated R
Street Date: February 05, 2008








Genres: Thriller, Crime, Drama

Starring: Jodie Foster, Terrence Howard, Nicky Katt, and Naveen Andrews
Director: Neil Jordan

Plot Synopsis: Neil Jordan's somber The Brave One is a lot of things. A reflective movie about a crime victim's sense of dislocation and isolation from her own life following a harrowing trauma, the film will strike a chord with a lot of people who have known violence. The Brave One is also a provocative drama about the nature of justice, a theme explored endlessly in American movies that typically find law enforcement wanting. In Jordan's film, however, the conflict between instinctive vigilantism and legal protocols is approached with more deliberateness and complexity than usual. Finally, despite its seriousness of purpose, The Brave One, to a certain extent, is drearily tethered to the old atrocity-and-revenge genre, bumping along to the familiar, Death Wish-like rhythms of an avenger seeking successive conflicts with bad guys he or she can blow away.

Somewhat at cross-purposes, The Brave One stars Jodie Foster in a shattering performance as Erica Bain, a popular essayist on a public radio station in New York. In love and engaged to David (Naveen Andrews), a doctor, Erica and her fiancé are brutally attacked one night by a gang of thugs. David is killed but Erica survives, only to find herself a stranger in her own skin, facing down her fears by shooting violent criminals.

With the city riveted by her anonymous actions, Erica becomes an object of curiosity for a police detective (an excellent Terrence Howard) disillusioned by his own struggles to protect the innocent from truly evil men. Jordan's previous films (The Crying Game, Breakfast on Pluto) resonate with The Brave One's most interesting angle, i.e., that each of us possesses a hidden element in our identities that comes out in extreme circumstances, making us wonder who we really are. It's all excellent food for thought, but the film squanders much of its significance by thrusting Erica into numerous, outlandish situations in which her only alternative is to put a bullet in a bad guy.

Disc Features:

Considering the fact that 'The Brave One' is an A-list Jodie Foster vehicle, it's surprising that Warner hasn't done more for the film's video release. This is a pretty anemic set of extras that offers little beyond the promotional material. (Note: Subtitles on the featurette only include English, French and Spanish.)

  • Featurette: "I Walk the City " (SD, 22 minutes) - As there is no audio commentary on the disc, I hoped to get more than just surface banalities out of "I Walk the City," but that's all we get. This is another fairly generic extended commercial, with way too many film clips and only brief snippets of press kit interviews with director Neil Jordan, stars Jodie Foster and Terrence Howard, and producers Joel Silver and Susan Downey. It's all fine and dandy -- at least we get the basics behind the conception of the movie, and the usual cast backpatting -- but its all about as nutritious as a Twinkie. C'mon, Warner -- you can do better than this.

  • Deleted Scenes (SD, 12 minutes) - This montage of scene extensions and a few extra character bits is decent, but far from revelatory. The presentation has a thrifty, slap-it-on-a-disc-quickly feel, with no optional commentary, no text introduction, and not even chapter stops for each scene -- it's just one long, big lump of a montage. On top of that, none of the video extras on the disc are in HD -- only mediocre 480p/MPEG-2 video.

Across the Universe (Blu-ray)

Sony Pictures Home Entertainment / 2007 / 133 Minutes / Rated PG-13
Street Date: February 05, 2008







Genres: Drama, Musical, Romance

Starring: Evan Rachel Wood, Jim Sturgess, Joe Anderson (VI), and Dana Fuchs
Director: Julie Taymor

Plot Synopsis:
Set in America during the Vietnam War, Across the Universe is a powerful love story set against a backdrop of political and social unrest: it's a story of soul-searching, self-doubt, and individual powerlessness cleverly conveyed through a multitude of Beatles songs. Like young adults all across America during the 1960's, Jude (Jim Sturgess), Lucy (Evan Rachel Wood), Max (Joe Anderson), Sadie (Dana Fuchs), Prudence (T.V. Carpio), and JoJo (Martin Luther) are in turmoil over the war; questioning their individual roles in the war effort and struggling to find a way to hold true to their beliefs while making a difference in the world. While love proves a powerful uniting force, its limitations become clear as relationships are strained and broken over individual perceptions of responsibility to cause and country. A fairly bizarre juxtaposition of extremely stylized, almost hallucinogenic scenes of swirling colors and reflections, highly choreographed dance segments, seemingly commonplace character interaction, and emotionally packed close-up footage of characters lost in contemplative song, this film imparts a good sense of the confusion and passion of the time and is at once powerful, invigorating, and disturbing. The film runs a bit long at 2-hours 11-minutes and several segments drag noticeably thanks to some incredibly slow song tempos. Warning: this production may change how you think about a favorite Beatles song forever.

Disc Features:

Sony has not skimped on a comprehensive supplement package. All of the video-based supplements are presented in full 1080p/AVC MPEG-4 -- it all looks great on Blu-ray. (Note: Subtitles on the featurette material include Spanish, Portuguese, Korean, Chinese, and Thai, while the audio commentary has Korean subtitles only. Oddly, there are no English or French options on any of the extras.)

  • Audio Commentary - My reaction to the musical interpretations of 'Across the Universe' remains mixed, but I have no reservations about this commentary with Julie Taymor and composer Elliot Goldenthal. Given the participants, the track is quite focused on the musical aspects (to the detriment at times of other elements, such as story, casting etc.), but that's what makes it refreshing and, at times, revelatory. Beatles fans in particular will probably love hearing the meanings and sonic textures of the original songs discussed at length, as well as how the were deconstructed and revitalized to shape the film's narrative. It's fascinating stuff, regardless of your opinion of the outcome.

  • Featurette: "Creating the Universe " (HD, 29 minutes) - The centerpiece of the extras, this nearly 30-minute long featurette sets the tone, using video diary material but marrying it with the strong focus of a traditional documentary. The effect is strong, with "Creating the Universe" capturing some great moments (Bono acting like a pompous ass on the set, an extra breaking down during a performance of "Let it Be"), while retaining a narrative through-line that gives us a solid idea of what Taymor intended. Well worth a watch.

  • Featurette: "Stars of Tomorrow" (HD, 27 minutes) - Surprising in its heft, this featurette introduces us to the entire cast, including Evan Rachel Wood, Jim Sturgess, and Dana Fuchs. We are taken from auditions, to casting, to working on set, to interpreting the Beatles tunes, and again, the lack of boring film clips and plot recap is most welcome -- this is like being a fly on the wall, and it's another must-watch.

  • Featurette: "All About the Music" (HD, 15 minutes) - A sort of digest version of the commentary, with Taymor and Goldenthal interviewed at length. Plus there’s tons of recording footage to sweeten the deal. This is the one segment not to be missed by Beatles fans, or just fans of great songs.

  • Featurette: "Moving Across the Universe" (HD, 15 minutes) - Unusual for a major director, Taymor orchestrates a collaboration far more than she sits behind a chair barking orders, and that process is documented here (if not outright fawned over). Though Taymor can come off just a little bit pretentious (okay, a lot), it's invigorating to watch her whip out amazing ideas on the spot, even if her critics will find ample ammunition here. It's interesting to hear her say that being free from the typical cinematic restraints (three-act narrative, basic coverage etc.) is "liberating," as many critics (myself included), find that her greatest weakness. Hmmmm...

  • Featurette: "FX of the Universe " (HD, 9 minutes) - A breezy look at the film's justifiably-praised visual tricks. It might surprise some, but the film was far from a CGI-fest, with many of the fantastic visuals pulled off live on the set, just like theater. The integration of it all through computer-assisted imagery, green screen, traditional opticals ,and practical magic is seamless, so it’s neat to see how they brought it all together and made it work.

  • Extended Musical Performances (HD, 35 minutes) - Eight sequences are included: "Hold Me Tight," "Come Together," "I Am the Walrus," "Dear Prudence," "Something," "Oh! Darling," "While My Guitar Gently Weeps" and "Across the Universe/Helter Skelter." While some were only slightly snipped for the final cut, others, especially "Dear Prudence" really come to life in their unexpurgated form. These extended performances are also the only place you can hear some of the complete songs, as the film's soundtrack CD doesn't include all of the tunes in the film.

  • Deleted Scene (HD, 1 minute) - Only one is included, for the song "And I Love Her." Unfortunately, it's so short that it really rates as a "deleted shot." Not much to see here.






The Assassination of Jesse James by the Coward Robert Ford (Blu-ray)









Genres: Drama, Historical, Western

Starring: Mary-Louise Parker, Casey Affleck, Brad Pitt
Director: Andrew Dominik

Plot Synopsis: Robert Ford, who's idolized Jesse James since childhood, tries hard to join the reforming gang of the Missouri outlaw, but gradually becomes resentful of the bandit leader.

Disc Features:
• Documentary: "The Assassination of Jesse James: Death of an Outlaw"
• Theatrical Trailer

Celine Dion: A New Day... Live in Las Vegas (Blu-ray)

Sony BMG / 2007 / 307 Minutes / Unrated
Street Date: February 05, 2008





Genres: Music

Plot Synopsis: A few months from now, on December 15th, 2007, Celine will take her final bows on the Colosseum stage at Caesars Palace, Las Vegas, where she has enjoyed a record-breaking five-year run of sold-out performances and critical acclaim, with her spectacular show, A New Day... The show has been documented in a deluxe High-Definition DVD.

Disc Features:
• Documentary
• Featurette: ""Tribute to the Fans"
• Interviews


The Jane Austen Book Club (Blu-ray)

Sony Pictures Home Entertainment / 2007 / Rated PG-13
Street Date: February 05, 2008






Genres: Drama

Starring: Robin Swicord
Directors: Maggie Grace, Emily Blunt, Maria Bello, Amy Brenneman

Plot Synopsis: An all star cast joins acclaimed director / writer Robin Swicord (writer - Little Women, Memoirs of a Geisha) in this critically acclaimed film Six Californians start a club to discuss the works of Jane Austen, only to find their relationships -- both old and new -begin to resemble 21st century versions of her novels. Stars Kathy Baker (Cider House Rules), Maria Bello (A History of Violence), Emily Blunt (Devil Wears Prada), Amy Brennemen (Juding Amy), Jimmy Smits (Star Wars Episodes 1-3).

Disc Features:
• Audio Commentary with Cast & Crew
• Featurettes: "Behind-the-Scenes of The Jane Austen Book Club," "The Life of Jane Austen," "Walking the Red Carpet: Los Angeles Premiere," "The Book Club: Deconstructed"
• Deleted Scenes


Me, Myself & Irene (Blu-ray)

Fox Home Entertainment / 2000 / 116 Minutes / Rated R
Street Date: February 05, 2008






Genres:
Comedy

Starring: Jim Carrey, Renee Zellweger, Anthony Anderson
Directors: Bobby Farrelly, Peter Farrelly

Plot Synopsis: Jim Carrey delivers an outrageous performance in this "fall-down, flat-out irresistibly deranged movie" (Rolling Stone). Rhode Island state trooper Charlie Baileygates proves that nice guys finish first after marrying the prettiest gal in town. But when she leaves him for another man, Charlie develops a split personality and his outrageous opposite, Hank, is born! Hank s got a filthy mouth, a bad attitude and a short fuse. When Charlie falls crazy in love with the beautiful but wanted Irene, he must wage war with himself for the confused Irene s affections.



Crimson Tide (Blu-ray)

Buena Vista Home Entertainment / 1997 / 116 Minutes / Unrated
Street Date: February 05, 2008






Genres: Action, Adventure, Military

Starring: Denzel Washington, Gene Hackman, Matt Craven, Viggio Mortensen
Director: Tony Scott

Plot Synopsis: Dynamic Denzel Washington joins Hollywood favorite Gene Hackman in this intense action thriller that's a smash hit with audiences and critics alike! In the midst of a global crisis, the USS Alabama receives an unconfirmed order to launch its nuclear missiles-signaling the start of WWIII. The tension quickly rises as the sub's respected commander (Hackman) and his brilliant executive officer (Washington) clash over the validity of their orders battling each other for control of the sub! As this epic struggle rages under the sea, Crimson Tide brings motion picture excitement to a new level-and you to the edge of your seat!


Wall Street (Blu-ray)

Fox Home Entertainment / 1987 / 125 Minutes / Rated R
Street Date: February 05, 2008







Genres: Drama

Starring: Michael Douglas

Plot Synopsis:Michael Douglas won an Oscar for perfectly embodying the Reagan-era credo that "greed is good." As a Donald Trump-like Wall Street raider aptly named Gordon Gecko (for his reptilian ability to attack corporate targets and swallow them whole), Douglas found a role tailor-made to his skill in portraying heartless men who've sacrificed humanity to power. He's a slick, seductive role model for the young ambitious Wall Street broker played by Charlie Sheen, who falls into Gecko's sphere of influence and instantly succumbs to the allure of risky deals and generous payoffs. With such perks as a high-rise apartment and women who love men for their money, Charlie's like a worm on Gecko's hook, blind to the corporate maneuvering that puts him at odds with his own father (played by Sheen's offscreen father, Martin). With his usual lack of subtlety, writer-director Oliver Stone drew from the brokering experience of his own father to tell this Faustian tale for the "me" decade, but the movie's sledgehammer style is undeniably effective. A cautionary warning that Stone delivers on highly entertaining terms, Wall Street grabs your attention while questioning the corrupted values of a system that worships profit at the cost of one's soul.

Disc Features:

Eschewing its usual bare-bones approach to catalog releases on Blu-ray, Fox has ported over all of the goodies from two previous DVD editions of 'Wall Street.' The first was produced in 2000 (and contained an audio commentary and documentary), while the second came out last year, and featured a new documentary and some deleted scenes. Combined, it's a very nice package, and certainly the highlight of this set. (Unfortunately, though the new documentary material from the latest DVD was shot on HD and composed at 1.78:1, Fox presents it here in 480i/MPEG-2 video only. The studio has also not provided any subtitle options for any of the extras.)

  • Audio Commentary - Oliver Stone flies solo on this track, and to those who regard 'Wall Street' as one of his more impersonal, commercial efforts, his commentary will surprise. In almost hushed tones, he opens up about the intimate connection he shared with his late father -- a Wall Streeter himself -- and how that relationship influenced the development of the script and framed the mythological underpinnings of the Bud Fox-Gordon Gekko dynamic. It's fascinating and illuminating, which makes it a shame when Stone starts to clam up less than halfway in. If the second half of the track is slow-going (there are frequent gaps of silence), there are still enough nuggets to make this worth a listen for fans.

  • Documentary: "The Making of Wall Street" (SD, 57 minutes) - This 2000 documentary was recorded at the time of the commentary, but compliments it nicely with a then-fresh selection of interviews, including Stone, Michael Douglas, Charlie Sheen and Martin Sheen. Though the video quality is a bit dated, there is a sizable chunk of behind-the-scenes footage and of all the extras on the disc, it focuses the most on the shoot, as well as on Stone's work with the actors on the performances. "The Making of Wall Street" is worth a watch if you're really into the film, but it's not absolutely essential.

  • Documentary: "Greed is Good " (SD, 54 minutes) - What, another documentary? Produced for last year's 20th anniversary DVD, this brings back Stone, Douglas, and the younger Sheen for brand-new interviews, plus John C. McGinley, Hal Holbrook, and editor Claire Simpson, plus a host of real Wall Street types, who all discuss the film's continued legacy. Unfortunately, after viewing the commentary and the previous doc, it does start to feel redundant. Also, there’s a lot of padding, with clips and cast & crew "insights" into the characters and story that are obvious just from viewing the film. However, the added context of the real Wall Streeters is welcome, and a montage of the film's many quotable lines is amusing. "Greed is Good" isn't quite good enough on its own to replace the commentary and the doc, but if you're only going to watch one of the extras, I'd still probably go with this one.

  • Deleted Scenes (SD, 24 minutes) - 'Wall Street' already clocks in at well over two hours, so almost all of these cuts were certainly wise. Expanded upon are Bud's early nightlife escapades, along with added background on his workplace interactions with some of the nicer characters. Easily the best reason to watch these scenes is for an extended version of Douglas' famous "Greed is good" speech, which is worth the price of admission on its own. Stone offers optional commentary for all the scenes, which are presented in poor-quality SD video.

Friday, February 1, 2008

In Theatres This Week 1st February

Over Her Dead Body
Copyright © 2008 New Line Cinema

Devastated when his fiancée Kate (Eva Longoria Parker) is killed on their wedding day, Henry (Paul Rudd) reluctantly agrees to consult a psychic named Ashley (Lake Bell) at the urging of his sister Chloe (Lindsay Sloane). Despite his skepticism over her psychic abilities, Henry finds himself falling hard for Ashley, and vice versa. But there is a big snag. Ashley is being haunted by Kate's ghost, who considers it her heavenly duty to break up Henry and Ashley's fledgling romance, if it is the last thing she does on this earthly plane...

February 1st, 2008
Jeff Lowell
Jeff Lowell
Eva Longoria, Paul Rudd, Lake Bell, Jason Biggs, Lindsay Sloane, Stephen Root
New Line Cinema
Comedy, Fantasy, Romance
overherdeadbodymovie.com
NONE for for sexual content and language.


The Eye
Copyright © 2008 Lionsgate

Sydney Wells (Jessica Alba) is an accomplished, independent, Los Angeles-based concert violinist. She is also blind and has been so since a childhood tragedy. As our story opens, Sydney undergoes a double corneal transplant, a surgery she has waited her whole life to have, and her sight is restored. After the surgery, neural ophthalmologist Dr. Paul Faulkner (Alessandro Nivola) helps Sydney with the difficult adjustment, and with the support of her older sister Helen (Parker Posey), Sydney learns to see again.

But Sydney's happiness is short-lived as unexplainable shadowy and frightening images start to haunt her. Are they a passing aftermath of her surgery, Sydney's mind adjusting to sight, a product of her imagination, or something horrifyingly real? As Sydney's family and friends begin to doubt her sanity, Sydney is soon convinced that her anonymous eye donor has somehow opened the door to a terrifying world only she can now see.

"The Eye" is a bone-chilling supernatural thriller that tests the boundaries of perception and reality. Directed by David Moreau and Xavier Palud, the team who directed the suspenseful international hit "Them," "The Eye" stars Jessica Alba, Alessandro Nivola and Parker Posey. Produced by Tom Cruise and Paula Wagner with Mike Elliott, Don Granger and Michelle Manning serving as executive producers.

February 1st, 2008
David Moreau, Xavier Palud
Sebastian Gutierrez, Ryne Douglas Pearson
Jessica Alba, Alessandro Nivola, Parker Posey, Francois Chau, Tamlyn Tomita
Lionsgate
Drama, Horror, Thriller
lionsgate.com
PG-13 for violence/terror and disturbing content


Strange Wilderness
Copyright © 2008 Paramount Pictures

Animal enthusiast Peter Gaulke (Steve Zahn) and his sidekick Fred Wolf (Allen Covert) host an ailing wildlife TV show "Strange Wilderness, which is in a steep ratings decline. Desperate to save the show, Peter hatches a Hail Mary scheme to find the one animal that could truly turn the show around and change the nature-show landscape forever -- Bigfoot.





February 1st, 2008
Fred Wolf
Peter Gaulke, Fred Wolf
Steve Zahn, Allen Covert, Jonah Hill, Ashley Scott, Peter Dante, Harry Hamlin, Robert Patrick, Joe Don Baker, Justin Long, Jeff Garlin, Ernest Borgnine
Paramount Pictures
Comedy
strangewildernessmovie.com
R for non-stop language, drug use, crude and sexual humor



Hannah Montana & Miley Cyrus: Best of Both Worlds Concert Tour
Copyright © 2008 Walt Disney

Hannah Montana" fans everywhere will have a chance to see their favorite singer, songwriter and actress, Miley Cyrus, perform her sold-out "Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour" on the big screen for one-week only with a special Disney Digital 3D presentation coming exclusively to movie theaters in the US and Canada from February 1-7 2008, it was announced today by Dick Cook, chairman of The Walt Disney Studios.

This filmed version of the concert tour will be shot in state-of-the-art 3D at several venues during the upcoming 54-city tour, which begins in St. Louis on October 18th with Cyrus's special guest, Jonas Brothers. The film is directed by Bruce Hendricks (ESPN'S "Ultimate X: The Movie") and produced by Art Repola (ESPN'S "Ultimate X: The Movie") from the concert tour created and directed by Kenny Ortega ("High School Musical"). Cyrus, the 14-year old singing sensation and star of Disney Channel's hit series, will perform as both a solo artist and as her hugely popular television character, Hannah Montana. The series is currently in its second smash season, and has attracted legions of fans all over the world.

February 1st, 2008
Bruce Hendricks
Unknown
Miley Cyrus, Jonas Brothers, Kenny Ortega, Billy Ray Cyrus
Walt Disney Pictures
Musical
disney.com
G