Sunday, May 16, 2010

Robin Hood Is Aiming At Iron Man This Week


Robin Hood
Copyright © 2010 Universal Pictures

Oscar® winner Russell Crowe stars as the legendary figure known by generations as “Robin Hood,” whose exploits have endured in popular mythology and ignited the imagination of those who share his spirit of adventure and righteousness. In 13th century England, Robin and his band of marauders confront corruption in a local village and lead an uprising against the crown that will forever alter the balance of world power. And whether thief or hero, one man from humble beginnings will become an eternal symbol of freedom for his people.





Letters To Juliet
Copyright © 2010 Summit Entertainment

When a young American (Amanda Seyfried) travels to the city of Verona, home of the star-crossed lover Juliet Capulet of Romeo and Juliet fame, she joins a group of volunteers who respond to letters to Juliet seeking advice about love. After answering one letter dated 1951, she inspires its author (Vanessa Redgrave) to travel to Italy in search of her long-lost love and sets off a chain of events that will bring a love into both their lives unlike anything they ever imagined.




Just Wright
Copyright © 2010 Fox Searchlight Pictures

"Just Wright" revolves around a sports trainer (Latifah) who finds herself falling in love with a professional basketball player (Common) while rehabilitating him from a career threatening injury. Things are further complicated because her closest friend (Patton) is also pursuing him.




Thursday, May 13, 2010

Blu-ray 11th May Releases

Edge of Darkness [Blu-ray]

Warner Brothers / 2010 / 117 Minutes / Rated R
Street Date: May 11, 2010







Genres: Thriller, suspense, crime
Starring: Mel Gibson, Ray Winstone, Danny Huston, and Bojana Novakovic
Director: Martin Campbell

Plot Synopsis: The good news is that Edge of Darkness (no relation to the fine 1943 war picture of that name) brings back Mel Gibson in front of the camera for the first time in nearly a decade. Although he's grown creased and leathery and his thatch has thinned, the movie star who was Mad Max still has the charisma and gravitas to center a dodgy suspense tale and propel it to the finish line. Gibson plays veteran Boston police detective Tom Craven, who welcomes home daughter Emma (Bojana Novakovic) for a rare visit, then sees her shot down at his front door. Because the gunman shouted "Craven!" and because a cop makes enemies, Tom assumes Emma took a bullet meant for him, which adds considerably to his grief and pain. But as he looks into the life of a daughter he loved yet scarcely knew, he discovers she'd been preparing to turn whistleblower on her employer, a corporation doing unsavory clandestine things for the government. Craven starts having oblique chats with a philosophical Brit named Jedburgh (Ray Winstone), who keeps turning up unexpectedly--in Craven's backyard at night, say--always giving the distinct impression that he could just as well kill a fellow instead of schmoozing. Their strange rapport, like Craven's tendency to mutter ironical asides as if in ongoing conversation with the departed Emma, is more intriguing than the conspiracy involving corporate skullduggery and a rogue assassination bureau. The bar for that sort of thing was set in post-Watergate days by Alan J. Pakula's The Parallax View, and we're nowhere near its cinematic elegance or pervasive paranoia. Edge of Darkness, based on a British miniseries from 1985, was directed by Martin Campbell, who also handled the six-hour original (and more recently the successful James Bond reboot Casino Royale). Campbell does decent-enough work--the occasional bursts of "shocking action" do shock even as we know they're coming--but rarely exceeds generic requirements. For killing comparison among contemporary suspense films, catch Roman Polanski's The Ghost Writer, in which every frame unsettlingly conveys a world where disquiet is the natural order of things.

Disc Features:
Focus-point featurettes:
-Revisiting the Edge of Darkness miniseries
-Mel's back
-Director profile: Martin Campbell
-Boston as a character
-And more
Additional/alternate scenes

Legion [Blu-ray]

Sony / 2010 / 100 Minutes / Rated R
Street Date: May 11, 2010

Overall Grade 3.5 out of 5Great disc, terrible film





Genres: Action, horror, thriller
Starring: Paul Bettany, Dennis Quaid
Director: Scott Stewart

Plot Synopsis: As pure check-your-head-at-the-door popcorn entertainment, the apocalyptic action-horror hybrid Legion delivers in nearly every frame--its story of a band of strangers fighting an army of angels and demons for the fate of mankind is proudly loud, bullet riddled, and knee-deep in gore and CGI. That doesn't mean it's particularly good or even coherent--the story has renegade angel Michael (a glum Paul Bettany) come to the aid of diner owner Dennis Quaid (equally glum) and his patrons (a cross-section of stereotypes embodied by a capable cast, which includes Lucas Black, Charles S. Dutton, Tyrese Gibson, Kate Walsh, and Jon Tenney) as a host of heavenly and diabolical beings, dispatched by an angry God, descend on the diner with the intent of killing waitress Adrianne Palicki (Friday Night Lights), whose unborn child may be the salvation of humanity. The orgy of special effects--endless hails of bullets and a menagerie of unpleasant demonic creatures, the most unsettling of which is the ice cream man (Doug Jones, Hellboy)--is eye popping but ultimately repetitive, and since no character rises above a cipher in director Scott Stewart's script (cowritten with Peter Schink), the whole affair feels unwieldy and eventually tiresome under a barrage of hackneyed dialogue. Naturally, Legion ends with the possibility of a sequel, though one wonders where the story can go after Armageddon.

Disc Features:
  • Creating the Apocalypse (HD, 23:43)

  • Humanity's Last Line of Defense (HD, 11:23)

  • From Pixel to Picture (HD, 10:57)

  • Bringing Angels to Earth: Picture-in-Picture

Daybreakers [Blu-ray]

Lionsgate / 2009 / 98 Minutes / Rated R
Street Date: May 11, 2010

Overall Grade 3.5 out of 5 Worth it!





Genres: Futuristic thriller
Starring: Ethan Hawke, William Dafoe
Director: Michael Spierig and Peter Spierig

Plot Synopsis: Two-time Academy Award® nominee Ethan Hawke plays Edward Dalton, a researcher in the year 2019, when an unknown plague has transformed the world’s population into vampires. As the human population nears extinction, vampires must capture and farm every remaining human, or find a blood substitute before time runs out. However, a covert group of vampires makes a remarkable discovery, one which has the power to save the human race.

Disc Features:
  • Making of 'Daybreakers' (HD, 121:38) – Here's the breakdown:

    Early Development: The Beginning; Story Development; The Vampires - Part I; Script Editing; Casting; and The Vampires - Part II.

    Pre-Production: Part I - Creating the Look; Part II - Rehearsals and Ed Dalton; Part III - Teeth, Lenses, and Car Crashes; and Part IV - On Set Rehearsals.

    Production: Part I - Subsiders from the Start; Part II - The Human Resistance; Part III - Two Directors and Elvis; Part IV - Carnage and Car Crashes; Part V - Schedule and Shigella; Part VI - Bites and Bromley; Part VII - Sacrifice and Subsiders; and Part VIII - The Beginning is the End.

    Post-Production: Part I - Editing and Visual Effects; Part II - Music, Color, and Sound; Part III - Test Screening and New Ending; and Part IV - The Toronto Film Festival.

  • 'The Big Picture' (HD, 13:51)

  • Storyboard and Animatics Comparison – A Bonus View picture-in-picture feature that shows storyboards and animatics in a small window during the movie.

  • BD Touch – Access disc-specific special features via the iPhone and iPod Touch.

  • Metamenu – This features supposedly enables Blu-ray owners to control their players via iPhone. More information can be found on the www.my.metamenus.com site.

  • Bookmarks – Save your favorite scenes. Never found any use for this feature personally.

  • LG-Live – Lionsgate's BD-Live Portal where you can download ringtones and backgrounds, control your gadgets, and access other online goodies.

  • Digital Copy – A second disc includes a standard-definition digital copy of the film compatible with PC or Mac.

  • Trailers – 'From Paris With Love,' 'Gamer,' 'Lionsgate Blu-ray' promo, and 'EPIX HD.'

Back Catalogue/ Other Blu-ray Releases:











Monday, May 10, 2010

Iron Man 2 Is Kicking Off The Summer!

The summer movie season kicked off with the thunderous opening of the eagerly awaited super hero sequel Iron Man 2 which hauled in an estimated $133.6M over the Friday-to-Sunday period making for the fifth biggest debut of all-time. Paramount released the Marvel production in a mammoth 4,380 theaters including 181 venues with IMAX screens making it the widest bow in history edging out the 4,366-theater release of The Dark Knight in July 2008. The new Tony Stark film averaged a scorching $30,502 per site.

Hollywood's only blockbusters to open bigger were Knight with $158.4M, Spider-Man 3 with $151.1M, The Twilight Saga: New Moon with $142.8M, and Pirates of the Caribbean: Dead Man's Chest with $135.6M. Iron Man 2 registered the largest debut in company history for Paramount beating Shrek the Third's $121.6M and was second-best among May titles behind another Marvel sequel launching over the first weekend of the month - the third Spidey flick.

Robert Downey Jr. once again played the title role with Jon Favreau directing and Gwenyth Paltrow co-starring. New players this time for the $170M production were Mickey Rourke, Sam Rockwell, Scarlett Johansson, and Don Cheadle. Samuel L. Jackson's cameo in the first installment was expanded into a supporting role this time giving the actor the coveted 'and' credit. Rourke snagged the almost-as-cool 'with' credit. Numerous promotional partners added marketing muscle to the campaign including Burger King, Audi, 7-Eleven, Dr. Pepper, Oracle, and Hershey's Reese's brand.

Fans powered the first Iron Man to an opening of $102.1M (including Thursday night shows starting at 8pm) two years ago over the first weekend of May ahead of a leggy run that reached $318.4M. The sequel's opening was 31% better and benefitted from 7% more theaters, two years of ticket price increases, and the addition of an IMAX release which took advantage of higher ticket prices. IM2 set a new record for biggest 2D IMAX opening with $10.2M from 181 screens beating the $8.5M from 138 of last May's Star Trek, also a Paramount release.

As with its predecessor, Iron Man 2 scored an encouraging A grade from CinemaScore indicating great satisfaction from paying audiences. Critics were not as enthusiastic this time around but in general reviews were good, especially for a comic book sequel. Exit polls showed that 60% of the crowd was male and 60% was over 25. Friday kicked off with a stunning $52.3M in ticket sales including $7.5M in Thursday night post-midnight shows, Saturday dipped 11% to $46.5M, and Sunday is estimated to slide by 25% to $34.9M. The metal man accounted for a whopping 78% of all sales for the top ten movies this weekend as competition hardly existed and rival studios steered clear of releasing anything big against it.

Overseas, where the Stark gang debuted a week earlier, ticket sales hit an estimated $57.2M this weekend lifting the international tally to $194M. That makes for a massive $190.8M global weekend gross and a $327.6M cume to date worldwide in under two weeks. Even with large sequel-type declines in the weeks ahead, Iron Man 2 should have no problem zooming past the $582M global haul of its predecessor paving the way for a third chapter which Marvel is already planning.

Freddy Kruger took a tumble as expected. The horror remake A Nightmare on Elm Street fell a sharp 72% in its second weekend to an estimated $9.2M putting it in a distant second place. It was a larger sophomore fall than those for other fright redos like Halloween (64%) and Prom Night (58%) but did not reach the incredibly high 80% crash suffered by Friday the 13th last year. With $48.5M in ten days, Nightmare should end up with a solid $60-65M nearly matching the $65M of the Jason remake.

Holding up well yet again in its seventh weekend of release was the 3D sensation How To Train Your Dragon which slipped only 36% to an estimated $6.8M boosting the hit toon into the double-century club with $201.1M to date. A final domestic take of $220-225M seems likely.

Fox's leggy comedy hit Date Night followed with an estimated $5.3M in its fifth weekend, down only 30%, for a $80.9M cume to date. The Jennifer Lopez pic The Back-up Plan dropped 40% to an estimated $4.3M giving CBS Films $29.4M thus far.

Summit's family flop Furry Vengeance fell 40% to an estimated $4M resulting in a poor ten-day tally of just $11.6M. Clash of the Titans took a big hit from Iron Man 2 tumbling 61% to an estimated $2.3M. After its sixth frame, the Warner Bros. 3D adventure has banked $157.8M.

Chris Rock's latest comedy Death at a Funeral followed with an estimated $2.1M, off 49%, for a $38.3M sum for Sony. The Losers ranked ninth collapsing 69% to an estimated $1.8M with $21.5M to date for Warner Bros.

# Title May 7 - 9

Theaters Weeks
Cumulative Distributor










1 Iron Man 2 $ 133,600,000

4,380 1
$ 133,600,000 Paramount
2 A Nightmare on Elm Street 9,170,000

3,332 2
48,530,000 Warner Bros.
3 How To Train Your Dragon 6,760,000

3,003 7
201,093,000 Paramount
4 Date Night 5,300,000

2,734 5
80,854,000 Fox
5 The Back-up Plan 4,345,000

3,003 3
29,415,000 CBS
6 Furry Vengeance 4,000,000

3,002 2
11,622,000 Summit
7 Clash of the Titans 2,305,000

2,157 6
157,808,000 Warner Bros.
8 Death at a Funeral 2,100,000

1,706 4
38,323,000 Sony
9 The Losers 1,800,000

2,450 3
21,450,000 Warner Bros.
10 Babies 1,576,000

534 1
1,576,000 Focus

Wednesday, May 5, 2010

Blu-ray 4th May Releases

Saving Private Ryan [Blu-ray]

Paramount / 1998 / 170 Minutes / Rated R
Street Date: May 04, 2010







Genres: War, Action

Starring: Tom Hanks, Matt Damon, Tom Sizemore, Edward Burns
Director: Steven Spielberg

Plot Synopsis:

Winner of five Academy Awards® including Best Director, the film also captured Oscars® for Cinematography, Film Editing, Sound and Sound Effects Editing. More than 70 critics and critics' groups in New York, Chicago, Dallas Ft-Worth and Great Britain named the film Best Picture of the Year, while the Los Angeles, Toronto and Broadcast Film Critics honored it with both Best Picture and Best Director awards. In addition, Spielberg received his third Directors Guild of America Award, the American Legion "The Spirit of Normandy" Award, a USO Merit Award from the USO of Metropolitan Washington, as well as the highest civilian public service award from the Department of the Army. Selected for more than 160 Top Ten lists, Saving Private Ryan's other honors include Golden Globes for Best Picture (Drama) and Best Director, the Producers Guild of America Award and ten nominations from the British Academy Film Awards. Saving Private Ryan was the top-grossing motion picture of 1998.

Seen through the eyes of a squad of American soldiers, the story begins with World War II's historic D-Day invasion, then moves beyond the beach as the men embark on a dangerous special mission. Captain John Miller (Tom Hanks) must take his men behind enemy lines to find Private James Ryan, whose three brothers have been killed in combat. Faced with impossible odds, the men question their orders. Why are eight men risking their lives to save just one? Surrounded by the brutal realities of war, each man searches for his own answer - and the strength to triumph over an uncertain future with honor, decency and courage.

Nine [Blu-ray]

Sony / 2009 / 118 Minutes / Rated PG-13
Street Date: May 04, 2010









Genres: Musical drama

Starring: Daniel Day-Lewis, Penelope Cruz, Kate Hudson, and Marion Cotillard
Director: Rob Marshall

Plot Synopsis: "Be Italian!" comes the thundering command from one of the catchiest songs in Nine, and the movie version of this Broadway musical hit is undeniably solid on that point. It's drenched in cool cars, glamorous Italian threads, and cozy Roman neighborhoods, all circa 1962. That, you will note, is the vintage of Federico Fellini's classic film 8 ½, the source for both the stage show and Rob Marshall's frantic musical picture. As in the Fellini, the story revolves around film director Guido Contini, a glamorous public genius who's expected to begin shooting his expensive new movie in a few days. The only problem is, the maestro has no idea what his next film will be about, and he spirals through a week of mistresses, cigarettes, and robust fantasy as he avoids the subject. Marshall's approach to musicalizing this massive case of writer's block is to shunt the songs off into the giant studio where the sets for Guido's new movie have been built; the idea, presumably, is to frame them so the audience isn't perturbed by the old-movie convention of characters breaking into song in the middle of a scene. Fair enough, maybe, but did the numbers themselves have to be so aggressively vulgar? All of Guido's women have their turn to vocalize (and invariably writhe around in slutty underwear): Marion Cotillard plays his faultless wife, Penélope Cruz a hot-tempered mistress, Nicole Kidman his elegant star, Kate Hudson a horny journalist, Black Eyed Peas member Fergie the voluptuous beachside prostitute of Guido's childhood. And that's not the end of Guido's feminine carousel; Judi Dench plays his loyal costumer, and Sophia Loren lends her iconic stature to the role of Guido's mother. The man himself is played by Daniel Day-Lewis, who doesn't have the sheer movie-star presence of Mastroianni in 8 ½, even if he creates an intriguing visual figure--all bony intensity and nicotine jags. The film's empty flash is quickly numbing, and even fans of the original musical will likely find it a chore sorting through the glitz. On the upside, it may make you want to watch 8 ½ again.

Disc Features:
BD Exclusive: movieIQ™+sync with the "Nine" Playlist: Get real-time information on the cast, crew, music and also email yourself a list of favorite songs from the film.
Commentary with Director Rob Marshall and Producer John DeLuca
8 Featurettes
BD Exclusive: Sophia Loren Remembers Cinecittà Studios
BD Exclusive: Screen Actors Guild Q&A
3 Music Videos

Tooth Fairy [Blu-ray]

20th Century Fox / 2010 / 120 Minutes / Rated PG
Street Date: May 04, 2010







Genres: Comedy

Starring: Dwayne Johnson, Julie Andrews, Billy Crystal
Director: Michael Lembeck

Plot Synopsis: Dwayne Johnson stars as Derek Thompson, one of the toughest hockey players around - until he's sentenced to one week's hard labor as the world's most unlikely tooth fairy! Even though he must sport frilly wings and learn the magical tricks of the trade from his silver-winged superiors (Julie Andrews and Billy Crystal), Derek's determined to do the job his way and prove he's got what it takes!

Leap Year [Blu-ray]

Universal / 2010 / 100 Minutes / Rated PG
Street Date: May 04, 2010










Genres: Romantic comedy

Starring: Amy Adams, Matthew Goode, Adam Scott, and John Lithgow
Director: Terry Gilliam

Plot Synopsis: When Anna’s (Amy Adams) four-year anniversary to her boyfriend passes without an engagement ring, she decides to take matters into her own hands. Inspired by an Irish tradition that allows women to propose to men on Leap Day, Anna follows Jeremy (Adam Scott) to Dublin to propose to him. But after landing on the wrong side of Ireland, she must enlist the help of the handsome and carefree local Declan (Matthew Goode) to get her across the country. Along the way, they discover that the road to love can take you to very unexpected places.

Back Catalogue/ Other Blu-ray Releases:


Tuesday, May 4, 2010

Freddy's Return With A Bang At Box Office



Notes: Iron Man 2 hasn't released yet in the US last week. It will only release this Friday.

Proving once again that he's not dead, Freddy Krueger returned to the top of the North American box office chart with his ninth cinematic outing in the remake of A Nightmare on Elm Street which drew a solid opening. But the overall marketplace was still in a late-spring funk with the Top 20 failing to reach $100M for the second consecutive frame. However, the rebound is just a week away as this summer's kick-off picture Iron Man 2 made a loud entrance overseas grossing over $100M this weekend from international territories ahead of its domestic launch on Thursday night.

New Line Cinema's iconic horror franchise came back to life thanks to the top spot debut of the new version of A Nightmare on Elm Street which bowed to an impressive $32.9M, according to final studio figures, to score the sixth best April opening in history. Scaring audiences in 3,332 theaters, the R-rated redo averaged $9,875 per location and was extremely front-loaded over the course of the weekend. Friday launched with a stellar $15.8M including Thursday night midnight shows. Saturday tumbled 33% to $10.6M while Sunday dropped another 38% to $6.5M. Horror films, especially remakes and sequels, tend to attract their biggest crowd on opening day and then suffer sizable declines.

Nightmare's debut fell below the $40.6M bow of last spring's fright remake Friday the 13th, but beat out the $28.1M opening of 2003's The Texas Chainsaw Massacre redo. All three were produced by Michael Bay's Platinum Dunes which has cornered the market in this field. The new Freddy beat out the debuts of many other recent fright remakes like Halloween ($26.4M), My Bloody Valentine ($21.2M), and Prom Night ($20.8M).

While Freddy Krueger held a tight grip on domestic multiplexes, Tony Stark seized control of the rest of the world with Paramount and Marvel's international launch of Iron Man 2 which grossed a sensational $100.2M from 6,764 theaters in 53 markets around the world since its first debuts on Wednesday in certain territories. Leading the way were the United Kingdom with $12.2M from 528 sites, Korea with $10.8M from 855, Australia's $8.8M from 251, and France's $8.2M from 722. IMAX also set a new record for an overseas 2D opening grossing $2.25M from 48 large-format screens for a sizzling $47,000 average beating the old high of $2.1M set by Transformers 2 last summer.

Iron Man 2 opens next week in several more countries like China, India, Turkey, and Germany and will fly into more than 4,000 theaters across North America. Paramount had previously slated the Jon Favreau-directed sequel to open this very weekend but when Disney pulled The Chronicles of Narnia: The Voyage of the Dawn Treader out of its May 7 date, Paramount pushed its tentpole back a week domestically. The Mouse House later dropped out of the Narnia business with Fox stepping in to release Dawn Treader this December 10 in 3D.

The Viking toon How To Train Your Dragon dropped out of the number one spot again but declined by only 31% to $10.6M boosting the cume for the 3D blockbuster to $192.2M. Look for the DreamWorks Animation-Paramount title to break the $200M mark next weekend. Last summer's Up from Pixar and Disney is the only other 3D animated film to ever cross the double-century barrier.

A pair of female-skewing comedies followed. Date Night with Steve Carell and Tina Fey enjoyed the smallest dip among all wide releases dropping only 28% to $7.6M for a sturdy $73.6M total to date for Fox. The Jennifer Lopez pic The Back-up Plan fared well in its second weekend sliding a moderate 41% to $7.3M. With $23M in ten days, CBS Films should end up with a decent $40M or so.

Opening in fifth place with dismal results was the family comedy Furry Vengeance starring Brendan Fraser which grossed $6.6M. Averaging a poor $2,211 from 2,997 locations (an unusually high playdate count for a film that has always had little to no buzz), the PG-rated film about forest animals seeking revenge on a real estate developer trying to build on their land played mostly to kids and moms. Though in its sixth weekend of play, Dragon proved to be a much stronger draw for families despite the higher 3D ticket prices so Furry suffered from both lack of consumer interest plus formidable competition.

Warner Bros. claimed the next two spots. The action thriller The Losers grossed $5.9M in its second mission dropping only 37%. But with only $18M in ten days and Stark Industries set to monopolize the action crowd starting this Thursday night at midnight, an underwhelming $30-35M final seems set. Clash of the Titans fell by 34% to $5.9M for a $153.9M tally thus far. Like most high-profile 3D films, Clash has been displaying good legs later into its run.

# Title Apr 30 - May 2


Weeks
Cumulative Distributor










1 A Nightmare on Elm Street $ 32,902,299


1
$ 32,902,299 Warner Bros.
2 How To Train Your Dragon 10,614,289


6
192,173,750 Paramount
3 Date Night 7,577,352


4
73,604,361 Fox
4 The Back-up Plan 7,255,762


2
22,963,517 CBS
5 Furry Vengeance 6,627,564


1
6,627,564 Summit
6 The Losers 5,888,471


2
18,013,781 Warner Bros.
7 Clash of the Titans 5,855,368


5
153,911,073 Warner Bros.
8 Kick-Ass 4,515,940


3
42,228,273 Lionsgate
9 Death at a Funeral 4,123,105


3
34,900,278 Sony
10 Oceans 2,564,843


2
13,460,115 Buena Vista










11 The Last Song 2,255,782


5
58,600,765 Buena Vista
12 Alice in Wonderland 1,478,225


9
329,686,666 Buena Vista
13 Hot Tub Time Machine 1,125,651


6
47,636,575 MGM
14 Diary of a Wimpy Kid 981,535


7
60,899,640 Fox
15 The Bounty Hunter 846,334


7
64,065,681 Sony
16 Why Did I Get Married Too? 812,234


5
58,736,999 Lionsgate
17 City Island 733,338


7
2,086,876 Anchor Bay
18 Housefull 642,156


1
642,156 Eros
19 Avatar 633,124


20
747,292,481 Fox
20 The Girl With the Dragon Tattoo 510,509


7
4,632,005 Music Box