Friday, February 19, 2010

In Theaters This Week 19th February 2010

Following a crowded Presidents' Day frame that smashed records, the marketplace settles down with just one new film heading into wide release - the suspense pic Shutter Island. Meanwhile, last weekend's top film Valentine's Day hopes to remain a contender for the number one spot after its gigantic debut and will play to audiences looking for a lighter form of entertainment. The overall box office looks to beat out year-ago levels once again.
Shutter Island
Copyright © 2010 Paramount Pictures

The film, based on the novel "Shutter Island" by Dennis Lehane, is an atmospheric psychological thriller set in a 1950s asylum for the criminally insane. It's 1954, and up-and-coming U.S. marshal Teddy Daniels is assigned to investigate the disappearance of a patient from Shutter Island's Ashecliffe Hospital. He'd been gunning for an assignment on the island for reasons of his own -- but before long he wonders whether he hasn't been brought there as part of a twisted plot by hospital doctors whose radical treatments range from unethical to illegal to downright sinister.

Teddy's code-breaking skills soon provide a promising lead, but the hospital refuses him access to records he suspects would break the case wide open. As a hurricane cuts off communication with the mainland, more dangerous criminals "escape" in the confusion, and the puzzling, improbable clues proliferate, Teddy begins to doubt everything -- his memory, his partner, even his own sanity.



The Ghost Writer
Copyright © 2010 Summit Entertainment


When a successful British ghostwriter, The Ghost, agrees to complete the memoirs of former British Prime Minister Adam Lang, his agent assures him it's the opportunity of a lifetime. But the project seems doomed from the start—not least because his predecessor on the project, Lang's long-term aide, died in an unfortunate accident.

The Ghost flies out to work on the project, in the middle of winter, to an oceanfront house on an island off the U.S. Eastern seaboard. But the day after he arrives, a former British cabinet minister accuses Lang of authorizing the illegal seizure of suspected terrorists and handing them over for torture by the CIA—a war crime. The controversy brings reporters and protesters swarming to the island mansion where Lang is staying with his wife, Ruth, and his personal assistant (and mistress), Amelia. As The Ghost works, he begins to uncover clues suggesting his predecessor may have stumbled on a dark secret linking Lang to the CIA—and that somehow this information is hidden in the manuscript he left behind. Was Lang in the service of the American intelligence agency while he was prime minister? And was The Ghost's predecessor murdered because of the appalling truth he uncovered?

Resonating with topical themes, this atmospheric and suspenseful political thriller is a story of deceit and betrayal on every level— sexual, political and literary. In a world in which nothing, and no one, is as it seems, The Ghost quickly discovers that the past can be deadly—and that history is decided by whoever stays alive to write it.

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