The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: Like 1999's other screen touchstone, American Beauty, the HBO series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there's the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.
The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his midlevel capo's machismo, yet instantly recognizable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers, and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.
Unlike Francis Coppola's operatic dramatization of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful, and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchmen and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.
The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr. Melfi, a convincing confidante, by turns "professional," perceptive, and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what's not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings."Well the plot synopsis is very interesting right. This series has a total of 6 Seasons. So catch it while you are still breathing the air that God had given to you" - Ibrahem.S
2. Prison Break
Plot Synopsis: Most men would do anything to get out of Fox River Penitentiary, but Michael Scofield will do anything to get in. His brother Lincoln has been sentenced to die for a crime he did not commit, and the only way to save him is from the inside out. Armed with prison blueprints and an impossibly intricate escape plan, Michael gets himself incarcerated, and the race against time is on. Now, he'll need all of the cunning, daring, and luck he can muster…along with the assistance of some of the prison's most vile and dangerous felons.
Season 1:With a plot that sounds like it might have come from an Alfred Hitchcock or Brian De Palma movie "Prison Break" seemed the least likely candidate for buzz and a large following on Fox. I expected the show despite the high quality writing, top notch pilot episode directed by theatrical director Brett Ratner ("X-Men: The Last Stand" and "Red Dragon") to tank with audiences.
Boy was I wrong and happy about it. The suspenseful series got the right promotional push from Fox and luckily audiences were ready for another ground breaking series using a season long story arc much like "24" and "Lost". I would have expected a show like "Prison Break" to be on HBO or Showtime (as their answer to "OZ" another ground breaking prison drama that focused less on the gimmicks of this show) not on Fox's network. Reportedly the producers planned a shelf life of "Prison Break" for two seasons recognizing the issues they had with shows such as "The X-Files". I suspect that if the show continues to be popular this will morph into something akin to "The Fugitive". The show also was clearly inspired by "The Shawshank Redemption" and the TV show "OZ" but has its own unique flavor making it much more than a simple copycat. Between top notch writing, directing and acting the show has become the only breakthrough hit from last season worth following.
If you know what this show is about skip this paragraph and go to the extras. The story for those that haven't followed the show is quite simple; Michael Scofield's brother Lincoln has been sentenced to die in the electric chair for a crime he didn't commit. Michael will do anything to get him out of prison. As the clock is ticking and its clear that legal options are limited he obtains the prison blueprints to get his brother out. How can he get them to his brother so he can use them? Simple Michael has them tattooed on his back. He then stages a bank robbery to get himself thrown into the same prison as his brother. His plans are to break out with his brother and eventually disappear. While their lawyer tries to get Lincoln out legally Michael must move forward with his plan and also negotiate a complex peace with inmate John Abruzzi (the marvelous Peter Stormare best known for "Fargo" and "Constantine") who controls many of the inmates inside the prison to achieve his goal.
Season 2: (Rockmond Dunbar), and John (Peter Stormare) have escaped from prison and are on the run. After going their seperate ways, shady FBI Agent Mahone (William Fichtner) arrives on the scene with one main intention: stop Michael and Linc from escaping the country. In the meantime, T-Bag (Robert Knepper) goes to some great lengths to get what he wants, and Captain Bellick (Wade Williams) is still hot on the brothers' trail. The conspiracy that was apparent in season one is even more farther reaching here, as revelations are made that will cost everyone involved dearly, and by the end of the season,As the second season of Prison Break opens, things get moving along rather quickly. Michael (Wentworth Miller), Linc (Dominic Purcell), Sucre (Amaury Nolasco), C-Note not everyone that has been here since the beginning will still be standing. What makes Prison Break so good is that the show never relents from it's break neck pacing. This could easily be a bad thing, but the minds behind Prison Break manage to keep the constant flow stable enough so you never know what to expect next. Even with the major change of scenery for the main characters, the show stays more compelling than ever as it becomes a high octane game of cat and mouse. Undoubtedly one of (if not the) best shows on prime time network television today (and on Fox), Prison Break just keeps getting better, and by the end of the season finale, you'll be salivating for more.
3. Desperate Housewives
Season 1: Audiences were captivated by the women of Wisteria Lane in the first season of Desperate Housewives, the breakout hit from ABC that almost single-handedly lifted the network from its ratings doldrums and brought back the classic TV soap, remixed now with satire, comedy, and mystery. An affectionate yet darkly tinged send-up of suburbia that skirted Twin Peaks territory as much as that of Knots Landing, Desperate Housewives opened with a bang--literally--as perfect-seeming housewife Mary Alice Young (Brenda Strong) went through her picture-perfect day before putting a handgun to her temple and pulling the trigger. Mary Alice's sudden suicide leaves her four closest friends, all housewives of a sort, with a surfeit of grief, a re-examination of their own lives, and a mystery to solve. It also proves to be a catalyst for a seamy study of what goes on inside the finely appointed homes of Wisteria Lane--the tales of which Mary Alice narrates from beyond the grave with a sardonic tone dipped in both honey and arsenic.
There's Martha Stewart-perfect Bree (Marcia Cross), who rules her household with an iron fist in a tailor-made garden glove and seems to have it all, until she finds out her husband (Steven Culp) is cheating on her--and had a serious fetish habit to boot. Sultry Gaby (Eva Longoria), the youngest of the set, is a bored trophy wife whose predilection for shopping and clothes are the perfect decoy for her affair with the hunky teenage gardener (Jesse Metcalfe). Former career woman Lynette (Felicity Huffman) is the most stereotypical housewife, raising four (or was it five?) kids and frustrated at using her cutthroat business skills for suburban politics. And daffy Susan (Teri Hatcher), the divorcee looking for love, sees her prospects brighten with the arrival of hunky plumber Mike (James Denton), who has some desperate secrets of his own. And did we mention the neighborhood hussy (Nicollette Sheridan), the snotty busybody (Christine Estabrook), and Mary Alice's increasingly agitated son (Cody Kasch)?
It was a fast and wild mix of plot and characters that gave Desperate Housewives the zing that made it a number one hit, as it never got too bogged down in any dilemma before moving on to the next. And though it was neither as hard-hitting nor salacious as it was trumpeted to be, the show nevertheless breathed fresh, funny air into comedy television, for even though it hewed to the hour-long soap format, the content was far more dark comedy than sudsy drama. There were fun bright spots to be had, but the story behind Mary Alice's death--which included drugs, murder, blackmail, secret identities, and vengeance in equal amounts--hovered over all the characters, tingeing the farce with the specter of danger. The show's other source of strength is in its peerless ensemble cast, headed by four perfect leading ladies, all Emmy-worthy. Hatcher received the (deserved) lion's share of praise (and a Golden Globe), but her co-stars--especially the underrated Longoria--matched her scene for scene. And though the mystery of Mary Alice's death was ultimately solved (no Twin Peaks teasing here), it was just the beginning of the troubles on Wisteria Lane, where no life went unexamined for too long.Season 2: Television's hottest show gets even juicier in its delicious second season. The women of Wisteria Lane are back, and just when you thought things couldn't get any steamier, a new neighbor and her handsome teenage son arrive to make new waves on the shady side of suburbia. Join the Emmy(R) Award-winning cast for all 24 episodes of Season Two, and discover Bree's new life without Rex, Lynette's chaotic return to the working world, and what becomes of Susans on-again, off-again relationship with Mike. That's just the beginning of the secrets in store in this six-disc DVD experience. Sizzling with sensational bonus features, including a revealing, never-before-seen storyline featuring Susan Mayer and a tell-all backstage dish session with the "Desperate Husbands," "there are almost too many things to love in Desperate Housewives" (San Francisco Chronicle).
Season 3:The women of Wisteria Lane are back, and it’s time to air some dirty laundry. In the Emmy Award®-winning show’s sensational third season, the gossip is juicier, the secrets are more scandalous and the revenge is even sweeter. "Desperate Housewives is back," raves The New York Daily News. Experience all 23 tantalizing episodes of Season Three, and get the dish on Susan’s new love, Bree’s unsettling marriage to Orson (Kyle MacLachlan) and a dangerous new presence living down the lane. Everything will come out in the wash in this spectacular six-disc set. Bubbling over with exclusive bonus features, including a behind-the-scenes look at the season finale and even more secrets straight from the show, this is the sudsiest season yet.
4. Grey's Anatomy
Plot Synopsis: Hospital. Together with her fellow residents in training, MeredithExperience the complete first three seasons of TV's most compelling show, "Grey's Anatomy!" Meet Meredith Grey, a brilliant first-year surgical intern at Seattle Grace navigates her way through the daily traumas and social landmines of life inside the hospital and out in the real world. Grey's Anatomy is a smart and witty look at young people struggling to be doctors and doctors struggling to stay human. Both a critical hit and fan favorite, Grey's Anatomy burst onto the television landscape with gripping plot lines, a sensational soundtrack and hot stars, including Ellen Pompeo, Patrick Dempsey, and Sandra Oh. It's "a winner," raves the New York Daily News. Now you can experience all the drama, romance and excitement of Grey's Anatomy from the very beginning.
5. Weeds
Season 1: With its fantastic comedy series Weeds, cable network Showtime finally gave up its also-ran status to HBO and found itself with a controversial, buzz-worthy show that was as hilarious as it was dark, one about a truly desperate housewife. A recent widow with two growing sons, Nancy Botwin (Golden Globe winner Mary-Louise Parker) looks like a typical resident of the affluent Southern California suburb of Agrestic. She keeps a clean, upscale house (with the help of a live-in maid), attends PTA meetings, goes to her kids' soccer games, makes frequent stops at the local coffee franchise.... and sells marijuana in order to make it all possible. Left with no way to support herself after her beloved husband's fatal heart attack, Nancy turns herself into the "suburban baroness of bud," dealing to her neighbors in the area, with the help of her supplier Heylia (Tonye Patano) and point man Conrad (Romany Malco). Nancy's clients run from the local councilman (Kevin Nealon) to the just-barely-legal students at the local community college, but many in Agrestic are still in the dark as to how she keeps her family afloat, including her best friend, the sardonic Celia (Elizabeth Perkins), a wife and mother whose blistering, withering put-downs could make Dorothy Parker cringe in fear. But like many small-business owners, Nancy yearns for more success and cash, and like her workaholic neighbors, finds keeping a balance between work life and home life to be extremely precarious at best. While Desperate Housewives yearned to be a suburban satire with bite, Weeds was the real deal, skewering upper-middle class mores with a sharp eye, a keen wit, and a mostly forgiving heart. In episode after episode, the show's creative team (led by creator Jenji Kohan) pulled back the layers of Agrestic's superficiality to show what lies beneath the squeaky-clean exteriors and smiling faces; it turns out that hunger, fear, desire, and, yes, desperation aren't that far down. However, Weeds forsakes pulpiness and florid drama for biting yet affectionate humor--its heroine is a woman with sliding morals, but one you'll root for to the very end. The effervescent Parker, the only actress who can mix perkiness with morbidity in just the right amounts, anchored the show with her amazing turn as Nancy, who by the end of the first season had become a kind of soccer-mom version of Michael Corleone, entering a corrupt world with both trepidation and fascination--and totally enamored of the power it brought her. Also perfectly cast, Perkins found the role of a lifetime as the bitterly hilarious Celia, and entering the show in its fourth episode, Justin Kirk (Parker's co-star in Angels in America) proved to be a potent secret weapon as Nancy's brother-in-law Andy, a slacker who wasn't above peddling t-shirts to elementary school kids. As icky as these characters might appear on the surface, Weeds made them all immensely appealing and great company to be around.
Season 2: The first season of Weeds ended with a shocker: Nancy (Mary-Louise Parker) found a dreamy new boyfriend, but he turned out to be a DEA agent (Martin Donovan). Luckily, she manages to find some pretty creative ways to "deal" with it. Despite that new obstacle, she decides it’s also time to "grow" the business to higher levels, and all these risky moves lead up to another fabulous season finale cliff-hanger. Elsewhere in suburban utopia, comic relieving brother-in-law Andy (Justin Kirk) tries to dodge his army commitments by joining Rabbi school, while the hilarious Doug (Kevin Nealon) battles it out with Celia (Elizabeth Perkins) to maintain power over the Agrestic City Council. Plot aside, Season 2 of Weeds took this potentially great show to the next level. No matter how hard they tried in the first season, the show’s makers had a heck of a time trying to shake the impression that they were mimicking the edginess of HBO’s original programming. (Some might have gone as far as to say they were trying a little too hard.) This time around, the characters and the story have grown into their own skins, and they offer something much more authentic and convincing. The second season also starts a great new tradition: Malvina Reynolds ‘s "Little Boxes" is still the opening theme song, but it is performed by a different artist for each episode (from Elvis Costello to The Shins). Just one more thing to keep us "addicted."
"If you ever imagine on how's the life of a drugs or pot dealer, this is the series that really suits you though. The storyline is absolutely fantastic and hillarious, the addiction is getting better and better. For sure this kind of series will never ever be shown on Astro, hahaha" - Ibrahem.S
No comments:
Post a Comment