Clint Eastwood scored the biggest wide opening of his career with his latest effort Gran Torino which raced past the competition in its first weekend of national play to swipe the number one spot. However, the frame's other new films all performed well too as the North American box office remained red hot. The wedding comedy Bride Wars debuted impressively in the bridesmaid slot while the horror flick The Unborn was close behind with a third place bow. Even the more narrow opening of the marital drama Not Easily Broken generated a sensational average. Studios released their first batch of new films since Christmas Day and audiences responded by filling up multiplexes powering the Top 20 films 14% ahead of last year.to $141M.
Following four weeks of amazing grosses in limited release, Gran Torino expanded from 84 to 2,808 theaters and collected $29.5M, according to final studio figures. Averaging a muscular $10,500, the R-rated pic about a grumpy old man and his community of Hmong immigrants gave the two-time Oscar winning director the best opening of his half-century career easily beating the $18.1M of 2000's Space Cowboys, also a directorial and starring effort for Eastwood. That debut at today's ticket prices would be roughly $24M which Torino still bested.
Warner Bros. has successfully used this release strategy before when targeting older adults at this time of year. Last winter, the studio opened the Jack Nicholson-Morgan Freeman film The Bucket List in 16 theaters on Christmas Day before expanding it wide this very weekend last January. It also shot straight to the top of the chart and grossed $19.4M for a $6,662 average. Four years ago, Warners platformed Eastwood's Million Dollar Baby into just eight locations in mid-December and slowly added more locations before going nationwide in its seventh weekend following the announcement of Oscar nominations. It took in $12.3M in its first wide frame and averaged $6,102. Gran Torino easily outmuscled both of those films.
What makes this weekend's gross especially impressive is the fact that Torino has not been one of the top films getting all the awards buzz this winter. The studio has spent heavily on television advertising in major markets for over a month now to keep the film in the minds of moviegoers and is seeing the investment pay off. With a $40.5M cume, Gran Torino should have no problem soaring past the $100M mark to become one of Eastwood's most popular films. His other big earners include Baby with $100.4M (about $115M at today's prices), 1992's Unforgiven with $101.2M ($173M today), and 1993's In the Line of Fire with $102.3M ($175M today). Clint pics have historically had strong legs.
The wedding comedy Bride Wars opened in second place pulling in $21.1M for Fox. Starring Kate Hudson and Anne Hathaway as best friends whose weddings get scheduled on the same day, the PG-rated pic averaged a solid $6,528 from 3,226 playdates. It was the widest of the four new films opening or expanding into wide release this weekend. Bride skewed heavily female as women made up a sizable 80% of the audience. The film played to a broad age group though as 52% of the crowd was under 25. Studios often release female-skewing films in January since the football playoffs make males harder to reach.
Fox generated an opening similar to the one it enjoyed last January with another wedding-related comedy. 27 Dresses starring Katherine Heigl bowed to $23M and a $7,526 average over the three-day portion of the Martin Luther King holiday frame in 2008 on its way to $76.8M. Reviews for the $30M-budgeted Bride Wars were poor, but ticket buyers instead responded to the starpower, premise, and comedy.
Universal's supernatural thriller The Unborn was an overachiever this weekend surging past expectations to score a $19.8M opening. Creeping into 2,357 theaters, the PG-13 fright flick scared up a superb $8,405 average. The debut was on par with producer Rogue Pictures' horror hit from last summer The Strangers which also exceeded pre-release forecasts during its launch which resulted in a $21M weekend and $8,515 average. Rogue was just purchased by Relativity Media.
Unborn benefitted from being the first horror film of the new year so competition was minimal. Past terrorfests that found success in early January include 2006's Hostel which debuted to $19.6M and the prior year's White Noise which bowed to $24.1M. A slick and creepy marketing campaign plus a marketplace filled with old leftovers gave fans a reason to come out and see something new and scary. Teens and young adults made up the bulk of the audience with 75% of the crowd being under 25. Females made up 55%. Unborn kicked off a new year's feast for horror fans who will soon be attacked by My Bloody Valentine 3D next weekend, Underworld: Rise of the Lycans on the following weekend, The Uninvited on the frame after that, and a new Friday the 13th next month on Friday the 13th.
Owen Wilson, Jennifer Aniston, and the 22 dogs that played the title character of Marley & Me dropped to fourth after two weeks on top and grossed $11.4M. Down a steep 53%, the Fox release upped its total to $123.8M putting it at number 17 on the list of top-grossing releases from 2008. Brad Pitt was one step behind at number five with The Curious Case of Benjamin Button which collected $9.2M, off 51%, for a $94.1M cume for Paramount.
Tumbling 57% was Adam Sandler's Bedtime Stories which took in $8.8M for Disney raising the sum to $97.4M. Operation Valkyrie was in effect at number seven with $6.6M, down 53%, lifting the cume for Tom Cruise and his eyepatch to $71.5M. Yet another star-driven film, Jim Carrey's comedy Yes Man, followed with $6M, dropping 57%. Total for Warner Bros. is now $89.3M.
Sony released the marital faith-based drama Not Easily Broken on a small scale but was met with solid results in ninth place. The PG-13 film grossed $5.3M from only 724 theaters for a terrific $7,340 average. Budgeted at just $5M, Broken played to an audience of mature women. Females made up 70% of the crowd while 69% was over the age of 30. The Morris Chestnut starrer is an adaptation of the book of the same name by pastor and author T.D. Jakes who has built up a loyal following in the African American community over the years.
Rounding out the top ten was Will Smith's odd drama Seven Pounds which crumbled by 62% to $3.8M for a cume of $66.7M for Sony. The jellyfish flick will end the superstar's streak of eight consecutive $100M+ blockbusters which began back in 2002.
| # | Title | Jan 9 - 11 | Cumulative | Distributor | |||||
| 1 | Gran Torino | $ 29,484,388 | $ 40,524,518 | Warner Bros. | |||||
| 2 | Bride Wars | 21,058,173 | 21,058,173 | Fox | |||||
| 3 | The Unborn | 19,810,585 | 19,810,585 | Universal | |||||
| 4 | Marley & Me | 11,391,425 | 123,751,596 | Fox | |||||
| 5 | The Curious Case of Benjamin Button | 9,212,515 | 94,092,395 | Paramount | |||||
| 6 | Bedtime Stories | 8,802,120 | 97,432,093 | Buena Vista | |||||
| 7 | Valkyrie | 6,617,065 | 71,464,448 | MGM | |||||
| 8 | Yes Man | 6,032,337 | 89,288,024 | Warner Bros. | |||||
| 9 | Not Easily Broken | 5,314,278 | 5,314,278 | Sony | |||||
| 10 | Seven Pounds | 3,818,230 | 66,748,686 | Sony | |||||
| 11 | Slumdog Millionaire | 3,782,340 | 34,127,195 | Fox Searchlight | |||||
| 12 | Twilight | 2,841,852 | 181,448,642 | Summit | |||||
| 13 | The Tale of Despereaux | 2,733,585 | 47,584,450 | Universal | |||||
| 14 | Doubt | 2,521,118 | 22,959,422 | Miramax | |||||
| 15 | The Day the Earth Stood Still | 1,550,629 | 77,330,238 | Fox | |||||
| 16 | Revolutionary Road | 1,425,346 | 3,155,656 | Par. Vantage | |||||
| 17 | Bolt | 1,370,487 | 111,806,897 | Buena Vista | |||||
| 18 | The Reader | 1,346,742 | 5,510,453 | Weinstein Co. | |||||
| 19 | Milk | 1,296,051 | 19,163,996 | Focus | |||||
| 20 | Frost/Nixon | 891,627 | 7,631,181 | Universal |
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